In August Wilson’s The
Piano Lesson, Berniece is the widow mourning the loss of her husband and
father who were both brutally murdered after they were accused of theft. Boy
Charles was burned to death for his part in saving the piano marking the family
history while Crawford was shot following his part in stealing wood. This
leaves Berniece emotionally detached and financially in trouble. Avery goes as
far to blame her mourning for her indifference to marriage, accusing her of not
being able to move on from the past. However, if we glance at her history and
interactions with her daughter, Maertha, we can link her indifference to
another factor. Berniece’s quest for independence prevents her from entering
into another marriage for emotional and financial security.
Avery’s claim that Berniece’s indifference to his marriage
proposal is in any way linked to Crawley’s death is invalid, for he ignores her
desire to be an independent woman. When Avery suggests she cannot find happiness
without a man’s love and affection she quickly retorts, “You can just walk out
of here without me- without a woman- and still be a man” revealing the hypocrisy
of his argument (67). Berniece goes on to say that Maertha’s love is enough to
keep her going. Recalling the anguish her own mother had following her father’s
death, no doubt hardens Berniece and makes her a stronger woman. Whereas her
own mother withered away, Berniece remains resolute and cares for her daughter
despite her inability to cope with death. Avery is hoping to look after and
take care of Berniece but she is capable of attending to herself.
In fact by studying the relationship between Berniece and her
daughter, we can see that financial independence is forefront in her mind. Berniece’s
goal for Maertha is to make something of herself and become a teacher. The fear
that Maertha’s gender will impede her future angers Berniece. The remark that
if Maertha was a boy, Berniece would not be going through this stress points to
the discrimination women face in life (90). Whereas Boy Willie, Doaker, and the
rest of the family struggle to make a living for themselves in a prejudice
society, Berniece and Maertha are struck not only by prejudice against their
race but gender as well. Sutter’s ghost may hold sway over Berniece but Avery
and the men in her life attempt to impede her just the same. By denying her the
same rights they themselves are fighting for pushes Berniece to secure
independence not only for herself but for her daughter.
Berniece’s stubbornness and anger may stem from the loss of
her husband and father but it is exaggerated by the men in her life who fail to
understand her need for independence. Her anger is sparked by their attempt to
feminize her rather than accept her desire to be more than a wife. This is
shown by her determination to manage her own affairs and see to the success of Maertha’s future.
Hi Chelsea,
ReplyDeleteWhen I first read Berneice's comment about if Maretha was a boy I was a little taken back because I wasn't expecting for her to make a comment like that. When I re-read and had a minute to think about it I came to the same conclusion as you. Women and African American men were faced with discrimination and to be an African American woman was a double dose. Berniece was trying to prove to the men in her life that she could succeed and she was doing her best to be a good role model for Maretha. I do question her tactics on telling Maretha they are at the bottom, it was true, but I worried about her burdening Maretha with that continually. I really enjoyed this play, but I wish we heard more from and about Maretha
Hi Chelsea. You're right, your article is similar to mine. I think that no matter what the era, it saddens me to think that women have had to struggle as much as they have to not even get half of what a man can. For me, Bernice is a woman to look up to, no matter what time, race, or sex may be true for the individual. It is apparent that she may feel that she has done the best that she could, but that does not stop her from wanting a better life for her daughter. Maretha will have every advantage Bernice can afford for her. Maybe better, she will have a strong, independent female role-model in her mother- perhaps the best gift for a young African-American girl in the early 1930s.
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